Passionflower is nothing if not calculated regarding how his sound is drip-fed.Īdmittedly, the contrasting, harder edge of the band’s Post-Hardcore is less obvious. In essence, ‘Joel & Clementine’ is either the child of the previous two or a hybrid. The third single takes the crooning, soaring melodies and the staggered winding guitar cascading down from the previous single and combines it with the effortless soar of ‘Picture Perfect’. ‘Joel & Clementine’ akin to his other material wastes absolutely no time in “getting to it”. Richardson-Nickle is never one to stumble around his feelings or craft. Single #3 takes the time-aged and refined method of the meandering, pervading-lead creating the path from which your attention is to follow. For ‘Joel & Clementine’ require attention. You can find both singles broken down fully – Here (‘Picture Perfect’) and – Here (‘Neverland’). Passionflower allowed the combustive Post-Hardcore to bubble naturally to the surface and infuse itself into the now dominant, exuberant and soulful Emo-gloomed Pop-Punk. The second single charged with a comparative gusto behind crooning guitars and earnest vocal displays. ‘Neverland’ on the other hand, pushed on. ‘Picture Perfect’ juxtaposed a Pop-Punk-centric sound with a seamless and glossed Emo-Pop lacquer juxtaposing a covert Post-Hardcore rumble left for trained ears. Passionflower, now three singles in, has been steadily and with great care unveiling what this eventual release will sound like within a strong continuity and a subtle but noticeable deviation. The latter being yet another stop-over ahead of an eventual full-length from the prolific Warrington-based Post-Emo, Pop-Punk-adoring and early 2000’s Post-Hardcore-centric band. Passionflower and ‘Joel & Clementine’ are soon to arrive. Passionflower – Warrington, England, United Kingdom
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